Tom Arah explores the vector and bitmap capabilities in Adobe Illustrator and Adobe Photoshop and how to make the most of them.

Photoshop and Illustrator are the twin graphical pillars of Adobe’s Creative Suite. As standalones they each offer their own unique mix of state-of-the-art vector and bitmap-based handling but, for maximum creative power, their respective strengths can also be pooled.

Tom Arah looks at the history, problems, solutions and future of designing for the screen.

Previously I looked at the history of desktop publishing (DTP) with its focus on print-based design and output to paper. However the advent of the Apple Mac and of the Graphical User Interface (GUI) into the mainstream of personal computing also heralded the opening up of an entirely new publishing medium and one that is set to become even more important than paper – the computer screen itself.

Tom Arah looks at the surprising history of professional desktop publishing and the current state of play.

The generally-accepted wisdom is that desktop publishing (DTP) was invented by Steve Jobs and Apple with the launch of the Apple Mac in 1984. It’s certainly true that the Mac’s Graphical User Interface (GUI) enabled bitmapped fonts, images and layouts to be both viewed onscreen and printed – a whole new world compared to character-based PC systems.