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Adobe Photoshop Extended CS4 review

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Photoshop Extended CS4 review

VERDICT More power for 3D users, but little for anyone else.

Photoshop Extended was the surprise introduction and, in many ways, star of the CS3 premium suites with its eye-popping introduction of 3D and video layers and a worthy new role in scientific image analysis. It’s a hard act to follow so how has Adobe extended Photoshop Extended?


iClone 2.5 review

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Reallusion iClone 2.5
VERDICT Impressive and accessible real-time 3D animation power at an excellent price.
If you assume that producing a 3D-based movie demands a film studio with dozens of professional 3D artists working with expensive cutting-edge technology and massive render farms, perhaps you should think again.


Cinema 4D 10.5 review

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Cinema 4D 10.5
VERDICT Improved handling of animation and lighting and new XRef support add to Cinema 4D’s existing strengths.
Cinema 4D has made its name - and repeatedly won recommended awards - by offering professional 3d modelling power at an affordable price. However what really makes the program stand out from its rivals is its comparative ease of use.


Texture Applications article

Texture handling is key to successful 3D materials - and to bitmap and vector formatting too

Tom Arah shows you the best way to bring some texture into your design work.

Long-term readers will know that I am a big fan and keen advocate of the use of seamless bitmap textures. Such textures play an essential role in the production of 3D work, as we saw again last month, but they can also prove just as useful within 2D bitmap and vector environments...


3D Painting tutorial

3D painting can combine 3D model and bitmaps in entirely new creative ways

Tom Arah explores the ways in which 3D modelling and bitmap editing can be creatively fused.

The end quality of 3D output depends largely on the application’s handling of materials and, more often than not, this involves mapping imported bitmaps to your objects’ surfaces...


Piranesi 5 review

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Piranesi 5 offers a unique mix of 3D and bitmap control

VERDICT: Piranesi gets the major overhaul of interface and tools that its extraordinary creative power deserves.

Piranesi stands out from all other bitmap editors because it is able to handle material and depth information as well as colour; it might sound a relatively small difference but it unleashes a massive amount of 3D painting power...


SketchUp 6 review

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SketchUp offers new rendering styles

RECOMMENDED

VERDICT: Improved interface and drawing capabilities, new photo matching and hand-drawn effects - and it’s still free.

Over the years @Last Software’s SketchUp managed to win itself a small fanbase, particularly among architects, for its valiant attempt to make 3D modelling as simple as 2D drawing...


SketchUp 6 Pro review

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SketchUp 6 Pro builds on the strengths of the free version

VERDICT: Builds on the free Google SketchUp with enhanced export options and a new dedicated presentation application.

Based on the impressive feature set of the free Google SketchUp (see separate review), the obvious question is: what more does the commercial Google SketchUp Pro 6 offer to justify its price?


Poser 7 review

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Poser 7 now offers basic lip synch

VERDICT: New posing, animation and lip sync capabilities, but Poser 7’s main strengths remain its bundled content and low price.

Creating believable 3D scenes is a major challenge, but to bring them fully to life you really need people to populate them...


Vue 6 Infinite review

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Vue 6 Infinite's killer feature is its EcoSystem handling

RECOMMENDED

VERDICT: Major enhancements to atmospheric and lighting models, import support, rendering options and material and EcoSystem handling.

Creating naturalistic real world scenes is one of the most difficult tasks for a 3D modeller which is where Vue Infinite comes in with its dedicated state-of-the-art capabilities.


Tom ArahTom Arah is the webmaster of designer-info.com. He has been a professional designer working with computer software since 1987. He also offers training and consultancy and since 1997 has been the contributing editor covering design issues for PC Pro, the UK's biggest-selling (and best) computer monthly.

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