Tom Arah shows you the best way to bring some texture into your design work.

Long-term readers will know that I am a big fan and keen advocate of the use of seamless bitmap textures. Such textures play an essential role in the production of 3D work, as we saw again last month, but they can also prove just as useful within 2D bitmap and vector environments...

Tom Arah explores the ways in which 3D modelling and bitmap editing can be creatively fused.

The end quality of 3D output depends largely on the application’s handling of materials and, more often than not, this involves mapping imported bitmaps to your objects’ surfaces...

Tom Arah explores the 3D handling in Adobe’s recent CS3 releases and wonders if it is a sign of things to come.

With its current blitz of CS3 software launches, it might seem that Adobe has the entire creative arena well covered. However there’s one surprising omission from the list – 3D.

Tom Arah pushes the boundaries of 3D with CINEMA 4D and its comprehensive range of add-on modules.

About two and a half years ago I looked at the range of software available for 2D designers wanting to make the move into 3D and concluded that much the best option was MAXON’s CINEMA 4D...