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Creative Illustrator article / tutorial

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Version 9 marked a turnaround in Illustrator's creative handling

Tom Arah shows you how to uncover Adobe Illustrator’s creative depths.

Ten years ago today’s market-defining vector drawing package, Adobe Illustrator, was an underpowered embarrassment. Compared to pioneering rivals such as Xara and Expression (see previous article), Adobe’s flagship just wasn’t able to produce work with the same creative depth...


Illustrator CS3 review

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New colour handling makes Illustrator CS3 stand out

RECOMMENDED

VERDICT: A greatly improved working environment and ground-breaking new colour handling make Illustrator seem fresher than ever.

At almost 20-years old, Illustrator is the veteran of the core CS3 applications and at one stage looked ready to be put out to pasture...


Illustrator and Photoshop

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With modern features such as Smart Objects the distinction between vector and bitmap handling is becoming increasingly blurred

Tom Arah explores the vector and bitmap capabilities in Adobe Illustrator and Adobe Photoshop and how to make the most of them.

Photoshop and Illustrator are the twin graphical pillars of Adobe’s Creative Suite. As standalones they each offer their own unique mix of state-of-the-art vector and bitmap-based handling but, for maximum creative power, their respective strengths can also be pooled.


Phantasm CS review

Phantasm CS

RECOMMENDED

VERDICT: Powerful and creative colour handling add-on for Adobe Illustrator - and amazing value

When thinking of add-on filters most users would immediately think of Photoshop but there’s another very important, and very different, platform: the vector-based Adobe Illustrator.


Tom ArahTom Arah is the webmaster of designer-info.com. He has been a professional designer working with computer software since 1987. He also offers training and consultancy and since 1997 has been the contributing editor covering design issues for PC Pro, the UK's biggest-selling (and best) computer monthly.

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